Tomlin Leckie – Introduction to Improvisation eCourse – New
Original price was: $97.00.$30.00Current price is: $30.00.
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Tomlin Leckie – Introduction to Improvisation eCourse – New
Introduction to Improvisation eCourse – New
Everything you need to get started improvising Blues Harmonica
Introduction to Improvisation eCourse
There are 5 different modules showing you different approaches to jamming/improvisation. A new module is made available to you each week. They will all feature tabs, videos, audio files and exercises to help you on your journey.
During the eCourse you will be given access to a new module each week for five weeks. At the end of which you will continue to have access to all the course materials.
Everything will be broken down into easy-to-follow chunks to make your practice easier!
This course is suitable for harmonica players of any level.
Course Structure
Module 1 – Understanding Rhythm
Module 2 – Understanding a 12 Bar Blues structure
Module 3 – Using the Blues Scale
Module 4 – Ear Training
Module 5 – Using Licks to Build a Solo
Join over 700 students!
Join over 700 students who are now improvising after taking this course!
Money-Back Guarantee
If you don’t love the course you have a 365-day money-back guarantee!
How much does it cost?
The course costs $97 for the 5 weeks.
What does it include?
– 5 Week ‘Introduction to Improvisation’ eCourse Materials
– Monthly Live Q and A session via Zoom
– Lifetime access
Your Instructor
Tomlin Leckie
Tomlin is the owner of Tomlin Harmonica School which is the fastest growing Blues Harmonica School on the planet.
He will show you everything you need to start playing Blues Harmonica in a simple and easy-to-follow format.
Course Curriculum
Introduction to Improvisation eCourse – New
Week 1 – Understanding Rhythm
Introduction (1:56)
Playing On The Beat (2:23)
Playing on the Off-Beat (2:16)
Subdivisions of the beat (1/8th notes) (1:21)
Subdivisions of the beat (Shuffled 1/8th notes) (2:12)
Subdivisions of the beat (Triplets) (1:56)
How To Find the Pulse in a Backing Track (3:28)
Why are we playing the 2 draw? (1:45)
Rhythm Lick 1 (2:18)
Rhythm Lick 2 (1:40)
Rhythm Lick 3 (1:29)
Rhythm Lick 4 (1:59)
Rhythm Lick 5 (1:14)
Rhythm Lick 6 (2:05)
Improvising Rhythmically Using One Note (8:22)
Conclusion (1:30)
Week 2 – Understanding a 12 Bar Blues Structure
Introduction – Understanding the 12 Bar Blues Structure (1:19)
What is the Structure of a 12 Bar Blues? (2:38)
Practice counting through a 12 Bar Blues – Medium Shuffle in G (6:50)
Practice counting through a 12 Bar Blues – Fast Swing in G (3:04)
Practice counting through a 12 Bar Blues – Slow Blues in G (9:24)
How does the 12 Bar Blues Relate To The Harmonica? (1:17)
Practice the 12 Bar Blues Root Notes (3:07)
Practice the 12 Bar Blues Root Notes over a Fast Swing in G (0:36)
Practice the 12 Bar Blues Root Notes over a Slow Blues in G (1:03)
Improvising Over a 12 Bar Blues Using Root Notes (1:30)
Improvising Over a 12 Bar Blues Using Root Notes – Medium Shuffle in G (5:56)
Improvising Over a 12 Bar Blues Using Root Notes – Fast Swing in G (2:42)
Improvising Over a 12 Bar Blues Using Root Notes – Slow Blues in G (9:04)
Conclusion (1:03)
Week 3 – Using the Blues Scale
Using The Blues Scale (2:25)
How Does the Blues Scale Relate to the 12 Bar Blues Structure (1:24)
Practicing the Blues Scale (2:48)
Using Notes From the Blues Scale to Pivot Between Chord Tones (3:19)
Improvising Using Small Chunks of the Blues Scale (1:19)
Improvising Using Small Chunks of the Blues Scale – Exercise 1 (5:57)
Improvising Using Small Chunks of the Blues Scale – Exercise 2 (5:57)
Improvising Using Small Chunks of the Blues Scale – Exercise 3 (5:57)
Playing the Blues Scale over a 12 Bar Blues (1:21)
Playing the Blues Scale With Interesting Rhythms (4:23)
Playing the Blues Scale With Interesting Rhythms over Medium Shuffle in G (5:57)
Playing the Blues Scale With Interesting Rhythms over Fast Swing in G (2:42)
Playing the Blues Scale With Interesting Rhythms over Slow Blues in G (9:31)
Conclusion and Homework (0:46)
Week 4 – Ear Training
Why is it Important to Learn Licks By Ear? (2:02)
Chugging Imitation Exercise (4:38)
Chugging Improvisation Practice (2:37)
One Chord Blues Improvisation (3:13)
Call and Response (1:28)
Call and Response Lick 1 (1:19)
Call and Response Lick 2 (1:07)
Call and Response Lick 3 (1:15)
Call and Response Lick 4 (1:38)
Call and Response Lick 5 (1:13)
Call and Response Lick 6 (1:31)
Practice Call and Response Chugging (2:41)
Transcribing Licks by Ear (2:18)
Ear Training Lick 1 (1:02)
Ear Training Lick 2 (0:32)
Ear Training Lick 3 (0:30)
Ear Training Lick 4 (0:40)
Ear Training Lick 5 (0:31)
Conclusion (1:31)
Week 5 – Using Licks to Build a Solo
Introduction (3:56)
The Importance of Phrasing (2:02)
Basic 50-50 Phrasing (2:59)
Example Lick 1 (2:11)
Example Lick 2 (1:35)
Example Lick 3 (1:32)
Making Licks Fit the Backing Track (2:06)
AAB Solo Structure (2:23)
ABC Solo Structure (2:40)
Maximising One Lick – Different Ending (2:26)
Maximising One Lick – Chord Tones (2:54)
What’s Going On in the Last Two Bars?? (1:36)
Basic Turnaround 1 (1:29)
Basic Turnaround 2 (1:36)
How to practice Improvisation (2:36)
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